Audrey Saunders' French Pearl & Free the Robots

For a French Pearl Martini you will need:
* 2 ounces Plymouth Gin
* 3/4 ounce Lime Juice
* 3/4 ounce Simple Syrup
* 1/4 ounce Pernod
* 1 Mint Sprig
*Cubed Ice
*Frosted Martini Glass
*Stainless Steel Martini Shaker
Muddle, Shake, and double-strain into Frosted Martini Glass. Consume.
The French Pearl Martini is a creation of Audrey Saunders: The Libation Goddess.
She's the former bartender at Bemelmans Bar (New York City), and proprietor of the Pegu Club (New York City), and a prominent mixologist. Audrey Saunders began her career in 1996 after taking a seminar in mixology from Master Mixologist, Dale DeGroff. In 1999, she and DeGroff opened Blackbird on East 49th Street where they worked side by side and Saunders painstakingly proved herself to regulars by mixing DeGroff’s specialties to perfection. Audrey joined The Carlyle in February 2002 where she spent has spend the past three years creating and fine-tuning a world class beverage programme, earning the bar a global reputation for cocktails and a listing in Forbes magazine’s top 20 bars in the world. In the summer of 2005, Audrey Saunders opened the Pegu Club in New York City’s Soho district. Her goal is that the Pegu Club serves as a beacon to those who hold the craft of mixology in high esteem. Audrey has been featured in The New York Times, The Financial Times, Wine & Spirits and The Wall Street Journal. Cocktail afficianados enjoy the Pegu Club not just for the great drinks and atmosphere, but for the way in which proprietor Audrey Saunders takes a keen interest in her customers.Pegu Club (77 West Houston Street, NYC 212-473-7348) is an oasis of style, flavor and class, and brims with unusual concepts. Audrey's goal of establishing a beacon for those who value the craft of the cocktail has been most artfully achieved.
"If a Woo Woo Shooter sounds to you like a sign of the apocalypse, you may be a cocktail purist. Like Calvinists, the purists believe we have been cast out of paradise and live in a fallen world. Drinks experts differ on just when paradise ended. Maybe it was the twilit colonial era of Charles Baker. Or the Jazz Age world of Fitzgerald and Hemingway at the Paris Ritz. Audrey says that for her it was the mid-1800s, the time of such heroic drinks as the Blue Blazer and the Tom and Jerry. Whenever the Golden Age of the Cocktail was, though, one thing is certain: It's over. We have dug down into our past to rescue endangered foods like wild rice and quinces, but we haven't revived orange bitters, let alone more recondite bottles like Crème d'Yvette. Instead, we get a new flavor of vodka every 17 minutes. No matter how many times visionaries like Dale DeGroff and Audrey Saunders try to start the Cocktail Revolution, they always end up like the citizens of Paris who stormed the Bastille for liberté, egalité et fraternité and found themselves a few years later watching Napoleon crown himself emperor." -Food & Wine 5-2005 "Mixing it up With a Cocktail Purist" by Pete Wells
"What Saunders and her friend and sometime collaborator Julie Reiner of New York's Flatiron Lounge have brought to mixology is a more culinary approach. They pay far greater attention to ingredients and the proportions in which they're combined than traditional bartenders. That's no mean accomplishment in drinks, which too often tend to be thrown together. Even today, with a cocktail revival in full swing, Saunders laments the trend toward oversweet concoctions made from pre-mixed ingredients. Such drinks erase the character of the liquors and forego the fresh fruits and herbs that should be the joys of a well-constructed cocktail. Vanilla martinis? Not at Bemelmans. Sour mix dispensed from a "gun" behind the bar? Saunders would sooner shoot herself. Instead, Saunders ransacks such 1940s bibles as David Embury's The Fine Art of Mixing Drinks or Charles Baker's The Gentleman's Companion to learn how to balance sweet, sour, and strong ingredients, or bittersweet and strong ones. "Once you know the basic ingredients, it's easy to pull out one and put something else in," she says. For a base, Saunders most often uses gin, thanks to the range of flavors provided by various brands. She has been among those lobbying to revive long-overlooked rye whiskey, for its powerful spiciness. But she thinks America's most popular spirit, vodka, is overused: "Why would I want to use vodka when there are so many other interesting spirits out there? Vodka's a no-brainer. Put juice with it and you've got a fruit smoothie, not a real cocktail." Saunders argues it's more important to explore unjustly neglected spirits and aperitifs -- names like Chartreuse, Punt e Mes, Fernet Branca Menta, Crème d'Yvette -- that elicit blank stares from many bartenders today. Rather than look to the distillers for innovation, Saunders invents her own new tastes by infusing (or steeping) into spirits exotic ingredients that might be overwhelmed if simply mixed in -- say, Earl Grey Tea for the famous Earl Grey "MarTEAni" she created two years ago for a Thanksgiving celebration at the Ritz Hotel London. Visitors to Saunders' apartment describe it as a riot of infusion experiments -- coffees, juices, herbs, spices, whatever. "Audrey's a bit of a mad scientist," says DeGroff. Once she has uncovered an interesting flavor combination, Saunders will tinker with it endlessly until the proportions are just right. "Her attention to detail amazes me," says her friend Reiner. "I'll do 15 or 20 versions of a cocktail, but she'll do 100" before settling on the best. The results can be startling. Saunders' most audacious concoction, the Dreamy Dorini, is named for a whiskey-drinking friend, Dori. Though martinis had been created using blended scotch whisky instead of vermouth, Saunders went further, using a peaty single-malt whisky called Laphroaig. Its smoky taste would have overwhelmed its companion, Grey Goose vodka, except for Saunders' inspired idea of adding a few drops of Pernod as "the lion tamer." It's not clear why that should work, but it does." -Business Week article by Gerry Khermouch
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